A chalk pastel drawing of a young woman (Jennifer) sitting on a broken swing in tall grass at dusk, rendered on black paper so that shadow precedes light. The figure turns slightly away from the viewer, her face framed by the last light of the day.

An oil painting of two figures seated at the edge of a vast body of water, facing a distant horizon where a city glows beneath an unsettled sky. The space between foreground and horizon is heavy with depth, the sky may be clearing or thickening. The image resists resolution.

A photograph taken during an early October snowfall on Bolivar Heights. This image became a foundational moment in the Souvenir project, connecting dream, place, and the practice of witnessing meaning over time.

Photographed in 2011 inside the Millville schoolhouse, this Souvenir image captures a bowed form held between light and shadow in an an old schoolhouse classroom.

A watercolor study of a narrow street in Harpers Ferry, West Virginia. Painted from a personal photograph, the piece explores the texture of stone walls, wooden steps, and wet pavement beneath a gray sky, capturing the quiet atmosphere of a familiar place layered with memory.

A watercolor study of a heron along the Shenandoah River, drawn from a photograph and grounded in a landscape shaped by repeated memory and routine.

A marker illustration of a crowded passage shaped by light and shadow, where streets and walls feel as conscious and recognizable as the individual within them.